On “I’m God,” he takes Imogen Heap’s 2005 “Just For Now” and turns it into a swirling, circular, almost suffocating cacophony of beauty and distortion, with just enough room for Lil B’s infectious flow to shine atop it. ![]() Two years earlier, though, Clams had begun making waves with an equally gargantuan beat provided for Lil B. One of the best examples of this is “Palace,” the opener to A$AP Rocky’s $AP, which served as an introduction to a dominating force in New York. He’s one of the originators of the cloud rap aesthetic, but his best beats aim for chest-caving enormity rather than ethereal calm. The New Jersey producer, born Michael Volpe, splices anthemic choirs with ambient rumblings, pummeling 808s with delicate melodies, and pop samples with trap arrangements. ![]() ![]() Clams Casino’s music functions on two levels: He makes beats with enough space for artists to comfortably rap over, while still retaining a melodicism that makes his instrumentals standalone gems.
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